Your look, straight out of camera
LUMIX Real Time LUTs

Everything runs in your browser. Photos, HALDs and LUTs never leave your computer: no upload, no server, no account.

Marcin Piwek · Wroclaw · LUMIX Real Time LUTs

Looks for Real Time LUT

My own looks, with the camera settings I use, and a library of film looks from open projects, credited and under their own licences. Every one is free, runs in the camera with Real Time LUT and fits an SD card name.

Hover over a photo to see it without the look.Touch and hold a photo to see it without the look.

My looks

Made on my own photographs, with the camera settings I use.

06
  1. 01 WARMDAYS.cube Natural

    Warm Days

    Soft highlights, warm skin, gently lifted blacks.

    Placeholder look and photos

  2. 02 WARMDAYV.cube V-Log

    Warm Days V-Log

    Soft highlights, warm skin, gently lifted blacks, for V-Log.

  3. 03 BALTIC.cube Standard

    Baltic

    Cool shadows, quiet greens, clean whites.

    Placeholder look and photos

  4. 04 BALTICV.cube V-Log

    Baltic V-Log

    Cool shadows, quiet greens, clean whites, for V-Log.

  5. 05 SELENIUM.cube LEICA Monochrome

    Selenium

    Deep blacks with a cool selenium tone in the shadows.

    Placeholder look and photos

  6. 06 SELENIUV.cube V-Log

    Selenium V-Log

    Deep blacks with a cool selenium tone in the shadows, for V-Log.

Film stocks

Simulated from measured film data by spektrafilm, for the V-Log base. CC BY-SA 4.0.

20
  1. 07 PORT160S.cube V-Log

    Kodak Portra 160

    Simulated from measured film data, printed on Kodak Professional Portra Endura.

    Andrea Volpato · CC BY-SA 4.0

  2. 08 PORT400S.cube V-Log

    Kodak Portra 400

    Simulated from measured film data, printed on Kodak Professional Portra Endura.

    Andrea Volpato · CC BY-SA 4.0

  3. 09 PORT800S.cube V-Log

    Kodak Portra 800

    Simulated from measured film data, printed on Kodak Professional Portra Endura.

    Andrea Volpato · CC BY-SA 4.0

  4. 10 P800P1S.cube V-Log

    Kodak Portra 800 (Push 1)

    Simulated from measured film data, printed on Kodak Professional Portra Endura.

    Andrea Volpato · CC BY-SA 4.0

  5. 11 P800P2S.cube V-Log

    Kodak Portra 800 (Push 2)

    Simulated from measured film data, printed on Kodak Professional Portra Endura.

    Andrea Volpato · CC BY-SA 4.0

  6. 12 EKTAR10S.cube V-Log

    Kodak Ektar 100

    Simulated from measured film data, printed on Kodak Professional Portra Endura.

    Andrea Volpato · CC BY-SA 4.0

  7. 13 GOLD200S.cube V-Log

    Kodak Gold 200

    Simulated from measured film data, printed on Kodak Professional Portra Endura.

    Andrea Volpato · CC BY-SA 4.0

  8. 14 UMAX400S.cube V-Log

    Kodak Ultramax 400

    Simulated from measured film data, printed on Kodak Professional Portra Endura.

    Andrea Volpato · CC BY-SA 4.0

  9. 15 FUJC200S.cube V-Log

    Fujifilm C200

    Simulated from measured film data, printed on Fujifilm Crystal Archive Type II.

    Andrea Volpato · CC BY-SA 4.0

  10. 16 PRO400HS.cube V-Log

    Fujifilm Pro 400H

    Simulated from measured film data, printed on Fujifilm Crystal Archive Type II.

    Andrea Volpato · CC BY-SA 4.0

  11. 17 XTRA400S.cube V-Log

    Fujifilm X-Tra 400

    Simulated from measured film data, printed on Fujifilm Crystal Archive Type II.

    Andrea Volpato · CC BY-SA 4.0

  12. 18 V3050DS.cube V-Log

    Kodak Vision3 50D

    Simulated from measured film data, printed on Kodak Vision 2383.

    Andrea Volpato · CC BY-SA 4.0

  13. 19 V3250DS.cube V-Log

    Kodak Vision3 250D

    Simulated from measured film data, printed on Kodak Vision 2383.

    Andrea Volpato · CC BY-SA 4.0

  14. 20 V3200TS.cube V-Log

    Kodak Vision3 200T

    Simulated from measured film data, printed on Kodak Vision 2383.

    Andrea Volpato · CC BY-SA 4.0

  15. 21 V3500TS.cube V-Log

    Kodak Vision3 500T

    Simulated from measured film data, printed on Kodak Vision 2383.

    Andrea Volpato · CC BY-SA 4.0

  16. 22 VERI200S.cube V-Log

    Kodak Verita 200D

    Simulated from measured film data, printed on Kodak Vision 2383.

    Andrea Volpato · CC BY-SA 4.0

  17. 23 VELV100S.cube V-Log

    Fujifilm Velvia 100

    Slide film, simulated from measured film data.

    Andrea Volpato · CC BY-SA 4.0

  18. 24 PROV100S.cube V-Log

    Fujifilm Provia 100F

    Slide film, simulated from measured film data.

    Andrea Volpato · CC BY-SA 4.0

  19. 25 EKTCHR1S.cube V-Log

    Kodak Ektachrome 100

    Slide film, simulated from measured film data.

    Andrea Volpato · CC BY-SA 4.0

  20. 26 KCHROM6S.cube V-Log

    Kodak Kodachrome 64

    Slide film, simulated from measured film data.

    Andrea Volpato · CC BY-SA 4.0

Film simulations

From the RawTherapee Film Simulation Collection, for ordinary photos on the Standard base. CC BY-SA 4.0.

56
  1. 27 PORT160R.cube Standard

    Kodak Portra 160 NC

    Colour negative film simulation from the RawTherapee collection.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  2. 28 PORT160V.cube V-Log

    Kodak Portra 160 NC V-Log

    Colour negative film simulation from the RawTherapee collection, for V-Log.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  3. 29 PORT400R.cube Standard

    Kodak Portra 400

    Colour negative film simulation from the RawTherapee collection.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  4. 30 PORT400V.cube V-Log

    Kodak Portra 400 V-Log

    Colour negative film simulation from the RawTherapee collection, for V-Log.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  5. 31 PORT800R.cube Standard

    Kodak Portra 800

    Colour negative film simulation from the RawTherapee collection.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  6. 32 PORT800V.cube V-Log

    Kodak Portra 800 V-Log

    Colour negative film simulation from the RawTherapee collection, for V-Log.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  7. 33 EKTAR10R.cube Standard

    Kodak Ektar 100

    Colour negative film simulation from the RawTherapee collection.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  8. 34 EKTAR10V.cube V-Log

    Kodak Ektar 100 V-Log

    Colour negative film simulation from the RawTherapee collection, for V-Log.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  9. 35 KCHROM6R.cube Standard

    Kodak Kodachrome 64

    Slide film simulation from the RawTherapee collection.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  10. 36 KCHROM6V.cube V-Log

    Kodak Kodachrome 64 V-Log

    Slide film simulation from the RawTherapee collection, for V-Log.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  11. 37 EKTCHR1R.cube Standard

    Kodak Ektachrome 100 VS

    Slide film simulation from the RawTherapee collection.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  12. 38 EKTCHR1V.cube V-Log

    Kodak Ektachrome 100 VS V-Log

    Slide film simulation from the RawTherapee collection, for V-Log.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  13. 39 ELITE20R.cube Standard

    Kodak Elite Chrome 200

    Slide film simulation from the RawTherapee collection.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  14. 40 ELITE20V.cube V-Log

    Kodak Elite Chrome 200 V-Log

    Slide film simulation from the RawTherapee collection, for V-Log.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  15. 41 FUJ400HR.cube Standard

    Fuji 400H

    Colour negative film simulation from the RawTherapee collection.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  16. 42 FUJ400HV.cube V-Log

    Fuji 400H V-Log

    Colour negative film simulation from the RawTherapee collection, for V-Log.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  17. 43 FUJ160CR.cube Standard

    Fuji 160C

    Colour negative film simulation from the RawTherapee collection.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  18. 44 FUJ160CV.cube V-Log

    Fuji 160C V-Log

    Colour negative film simulation from the RawTherapee collection, for V-Log.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  19. 45 SUP400R.cube Standard

    Fuji Superia 400

    Colour negative film simulation from the RawTherapee collection.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  20. 46 SUP400RV.cube V-Log

    Fuji Superia 400 V-Log

    Colour negative film simulation from the RawTherapee collection, for V-Log.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  21. 47 XTRA800R.cube Standard

    Fuji Superia X-Tra 800

    Colour negative film simulation from the RawTherapee collection.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  22. 48 XTRA800V.cube V-Log

    Fuji Superia X-Tra 800 V-Log

    Colour negative film simulation from the RawTherapee collection, for V-Log.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  23. 49 VELV50R.cube Standard

    Fuji Velvia 50

    Slide film simulation from the RawTherapee collection.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  24. 50 VELV50RV.cube V-Log

    Fuji Velvia 50 V-Log

    Slide film simulation from the RawTherapee collection, for V-Log.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  25. 51 PROV100R.cube Standard

    Fuji Provia 100F

    Slide film simulation from the RawTherapee collection.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  26. 52 PROV100V.cube V-Log

    Fuji Provia 100F V-Log

    Slide film simulation from the RawTherapee collection, for V-Log.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  27. 53 ASTIA10R.cube Standard

    Fuji Astia 100F

    Slide film simulation from the RawTherapee collection.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  28. 54 ASTIA10V.cube V-Log

    Fuji Astia 100F V-Log

    Slide film simulation from the RawTherapee collection, for V-Log.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  29. 55 FP100CR.cube Standard

    Fuji FP-100c

    Instant film simulation from the RawTherapee collection.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  30. 56 FP100CRV.cube V-Log

    Fuji FP-100c V-Log

    Instant film simulation from the RawTherapee collection, for V-Log.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  31. 57 VISTA20R.cube Standard

    Agfa Vista 200

    Colour negative film simulation from the RawTherapee collection.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  32. 58 VISTA20V.cube V-Log

    Agfa Vista 200 V-Log

    Colour negative film simulation from the RawTherapee collection, for V-Log.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  33. 59 AGFAUC1R.cube Standard

    Agfa Ultra Color 100

    Colour negative film simulation from the RawTherapee collection.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  34. 60 AGFAUC1V.cube V-Log

    Agfa Ultra Color 100 V-Log

    Colour negative film simulation from the RawTherapee collection, for V-Log.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  35. 61 XPRO200R.cube Standard

    Lomography X-Pro Slide 200

    Slide film cross-processed in negative chemistry from the RawTherapee collection.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  36. 62 XPRO200V.cube V-Log

    Lomography X-Pro Slide 200 V-Log

    Slide film cross-processed in negative chemistry from the RawTherapee collection, for V-Log.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  37. 63 POL669R.cube Standard

    Polaroid 669

    Instant film simulation from the RawTherapee collection.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  38. 64 POL669RV.cube V-Log

    Polaroid 669 V-Log

    Instant film simulation from the RawTherapee collection, for V-Log.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  39. 65 PX70R.cube Standard

    Polaroid PX-70

    Instant film simulation from the RawTherapee collection.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  40. 66 PX70RV.cube V-Log

    Polaroid PX-70 V-Log

    Instant film simulation from the RawTherapee collection, for V-Log.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  41. 67 TRIX400R.cube Standard

    Kodak TRI-X 400

    Black-and-white film simulation from the RawTherapee collection.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  42. 68 TRIX400V.cube V-Log

    Kodak TRI-X 400 V-Log

    Black-and-white film simulation from the RawTherapee collection, for V-Log.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  43. 69 TMAX400R.cube Standard

    Kodak T-Max 400

    Black-and-white film simulation from the RawTherapee collection.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  44. 70 TMAX400V.cube V-Log

    Kodak T-Max 400 V-Log

    Black-and-white film simulation from the RawTherapee collection, for V-Log.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  45. 71 HP5PLUSR.cube Standard

    Ilford HP5 Plus 400

    Black-and-white film simulation from the RawTherapee collection.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  46. 72 HP5PLUSV.cube V-Log

    Ilford HP5 Plus 400 V-Log

    Black-and-white film simulation from the RawTherapee collection, for V-Log.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  47. 73 DELT320R.cube Standard

    Ilford Delta 3200

    Black-and-white film simulation from the RawTherapee collection.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  48. 74 DELT320V.cube V-Log

    Ilford Delta 3200 V-Log

    Black-and-white film simulation from the RawTherapee collection, for V-Log.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  49. 75 PANF50R.cube Standard

    Ilford Pan F Plus 50

    Black-and-white film simulation from the RawTherapee collection.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  50. 76 PANF50RV.cube V-Log

    Ilford Pan F Plus 50 V-Log

    Black-and-white film simulation from the RawTherapee collection, for V-Log.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  51. 77 ACROS10R.cube Standard

    Fuji Neopan Acros 100

    Black-and-white film simulation from the RawTherapee collection.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  52. 78 ACROS10V.cube V-Log

    Fuji Neopan Acros 100 V-Log

    Black-and-white film simulation from the RawTherapee collection, for V-Log.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  53. 79 APX100R.cube Standard

    Agfa APX 100

    Black-and-white film simulation from the RawTherapee collection.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  54. 80 APX100RV.cube V-Log

    Agfa APX 100 V-Log

    Black-and-white film simulation from the RawTherapee collection, for V-Log.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  55. 81 RETRO10R.cube Standard

    Rollei Retro 100 Tonal

    Black-and-white film simulation from the RawTherapee collection.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

  56. 82 RETRO10V.cube V-Log

    Rollei Retro 100 Tonal V-Log

    Black-and-white film simulation from the RawTherapee collection, for V-Log.

    Pat David, Pavlov Dmitry and Michael Ezra · CC BY-SA 4.0

Make a LUMIX Real Time LUT

01Get a HALD image

Open it in Capture One (or any editor) and grade it with colour and tone tools only. Leave off sharpening, noise reduction, clarity, vignette, grain, lens corrections and cropping.

Portra, Ektar, Vision3, Velvia and more, simulated from measured film data. Uses the V-Log base.

02Load your graded HALD

Export it at 100% size in sRGB. 16-bit TIFF or PNG gives the smoothest result.

03Camera settings

Turn V-Log into a normal picture before your grade

In-camera effects Experimental

Grain, colour noise, sharpness and noise reduction can be stored in the LUT so the camera sets them when it loads it. Panasonic documents these tags only for newer bodies (such as the LUMIX L10) and doesn't publish the exact format, so your camera may ignore them: check on the camera before relying on them. They need a base Photo Style; “Not set” leaves the camera's own setting alone.

04Save the LUT

33-point .cube. Copy it to the card or import it with LUMIX Lab, then load it under Real Time LUT.


        

Preview

Copy a look into a LUMIX LUT

01Add photo pairs

A pair is one frame twice: the before as the camera renders the base Photo Style, and the after with the look you want. The LUT learns how every colour changes from one to the other.

Photos pair up in file-name order.

    What to shoot
    • 4 to 8 pairs is plenty. Colour variety matters more than the number of photos.
    • Between them, cover skin, foliage, sky, a few strong colours (red, yellow, blue) and neutrals from deep shadow to bright highlight. A colour chart in one frame helps a lot.
    • Make both photos of a pair from one file. To copy a Photo Style, process one RAW in the camera twice (once in the base style, once in the style you want). To copy a Capture One or Lightroom look, edit the camera JPEG and export it at the same crop.
    • Export in sRGB. Keep the after to global adjustments: masks, vignettes, grain and lens corrections can't go into a LUT, and pairs that use them are left out or fit loosely.

    02Learn the LUT

    This becomes the LUT's base Photo Style, so the camera renders the same before.

    Smoothing

    More smoothing ignores noise and small mismatches; less follows the pairs more closely.

    Preview

    Add a pair to see it here. Click a pair in the list to switch.

    Fix a LUT for LUMIX

    Make any LUT LUMIX-ready

    Drop .cube files you bought or downloaded. Each one is shrunk to 33 points if it's bigger, given a 0–1 input range, and has any 1D shaper built in. Values outside 0–1 are clipped, and names are shortened for the SD card. Everything happens on your computer.

    If a LUT is made for Rec.709 (a normal-looking picture, as most creative LUTs are), pick Standard. Keep V-Log only for LUTs made for V-Log footage.

    In-camera effects Experimental

    Grain, colour noise, sharpness and noise reduction can be stored in the LUT so the camera sets them when it loads it. Panasonic documents these tags only for newer bodies (such as the LUMIX L10) and doesn't publish the exact format, so your camera may ignore them: check on the camera before relying on them. “Keep from file” keeps any of these tags the LUT already has. They need a base Photo Style; “Not set” leaves the camera's own setting alone.

    Make a photo collage

    Put several photos together into one image: a collage for Instagram, a moodboard for a shoot, or a contact sheet of a session. Add the photos, choose a size and a layout, and Fill arranges them so every photo keeps its shape and nothing is left empty.

    01Add photos

    02Layout

    Template

    Fill and Treemap fit every photo at its own shape with no gaps; Mosaic and Grid use columns.

    03Look

    Photos are previewed through the look; the export runs it on the full-size photos.

    04Style

    Background
    Colour palette

    Presets

    05Save

    Format

    ·

    Collage